Hook Address

This is an article from the Architecture Australia archives and may use outdated formatting

 

 
Gabriel Poole
At the RAIA convention in tropical Cairns, Gold Medallist Gabriel Poole chided the profession for its neglect of key priorities in public housing. Here’s an extract from his A.S. Hook Memorial Address.

As architects, we have really failed our masters—the population of this could-be-great country. We have neglected our most important purpose: to house our people. I believe that if we house people better, we will grow better people.

Many in our profession bemoan the loss of large projects to large design-and-construct companies and constantly seek ways of recouping this work. But little is done about reforming the housing sector. I know there are endless conferences and high-sounding talk, the best intentions and some quite wonderful ideas, but we are not going to the coal face and actively confronting the problems.

What is the use of our fine ideas if they don’t reach the people? To do this, we must have our theories and ideas built and tested by the public and that means we have to access the large building companies, take control of large building companies or just get out there and build our beliefs.

I am endeavouring to get out there and build my beliefs, with considerable small-scale success. Maybe what I’m doing seems primitive. You may well say: ‘silly old bastard lives in the dark ages’. Or maybe the seemingly simplistic approach of a small and aging architect might have some value in a society where most housing is politically driven, where the really important projects go to large firms, and where the small firms which are closer to the coal face and maybe more acutely aware of the problems, are generally ignored.

Because we have neglected the humble house and headed for the large building, large profit and large ego boost, the domestic housing market has been almost completely hijacked by big business— whose aim, to my mind, is to provide the maximum amount of generally useless space at certainly affordable prices.

We, for our part, have chosen to settle for the one-off house, often for rich clients, with the main object, as I see it, of scoring the Robin Boyd Award and so again give the old ego a marvellous massage.

The houses which have taken over the market are generally gross but do satisfy their occupants. It’s what I call the three little pigs syndrome: if it is brick and tile, it is security: to hell with anything else.

The other apparent necessity is that a house should impress the visitor. It is our status symbol and we stuff it with art and expensive furniture to display to the world. If the house does not work, we further stuff it with ceiling fans and air conditioners. Regularly, what the architect thinks looks good and artistic subjugates practicality or purpose.

[There is a story on practicality, as seen through the eyes of an elephant having a discussion with a naked man. Suddenly the elephant looked down and asked: ‘how in the hell to you feed yourself with that?’]

To me, the origins of the house now swamping the marketplace, at least in our area of Queensland, generally lie in the travelling habits of the Melbourne bowler. From the time I was very young, they began invading Queensland in large numbers, from the beginning of May to the end of September. I became acutely aware of this when I moved to the Sunshine Coast, where the word among the locals was that the bowlers arrived with a clean shirt and a 10 bob note and they never changed neither.

It was Victorian money and the Victorian way which shaped our coastal tourist areas, and the early effects on places like Noosa were considerable. Large brick houses with tile roofs were injected into a community of lightweight fibro or timber weatherboard-clad fishermans’ shacks and holiday houses. With them came the opulence of the south and the requirement for ceiling fans and air conditioning. The houses were not designed for the climate; rather the climate was expected to bend to the will of the Mexicans.

The greater part of our environment still follows these lines. Queensland architects were becoming aware of the climate they had to deal with, were orienting houses to the north-east, providing wide eaves and exploring methods of cross-ventilation, but they were firmly stuck in the one-off market. Attempts were made at prefabrication and project building, but were generally so far oriented to architectural flair that the results were not recognised by the public as real houses—so architects have had little to do with seriously housing the Australian family. It is true that we still have some effect on the market, when our ideas are taken and reused (generally badly) by project home builders—but it is minimal impact and we are losing more ground by the day.

By and large, the public has little respect for the profession and even less confidence in our abilities to provide a basic service: suitable housing at acceptable cost. We are now considering what may be the needs of a family by the year 2020. By then, we will probably see three generations of family reunited under one roof and I believe that we should be designing houses with this in mind.

The one and only advantage of aging is the gaining of wisdom. By selfishly removing ourselves (the over 55s) to retirement villages, we deprive the young of what wisdom, knowledge and experience we have gained. If we can reunite our families to share the loads and costs of existing, and to share our knowledge and experiences, we may be heading for a better world.

The house can play an important role in this and we have consciously developed Capricorn housing so that it may be arranged to meet their needs.

Where I design one-off housing, I endeavour to influence the clients towards designs which may serve the needs of the future.

We architects, for our part, have a responsibility to raise the status quo and to endeavour to forward plan for the needs of all people—for all people should be considered our clients.

We must have the ability to create simple spaces and volumes which can raise the spirit of those who inhabit them and accommodate the different generations of a family within a house; providing them with privacy and dignity.

Why in the hell can’t we inject a bit more humanity into our architecture? Why do we attempt, so often, to force onto our clients and the public our personal fancies; which are generally aimed at ego boosting?

We are all too often seen as rigidly set in a particular style, or even fashion, and clients are often advised that if they don’t do things our way, we will not accept the brief.

Every client is an individual and every individual has a different set of requirements. Each site is different and has its own set of circumstances. It seems to me that each house can be different in form and concept.

For many years now, I have endeavoured to create a product which could raise standards in housing and lift the spirits of occupants. Until a couple of years ago, my attempts had failed but I now find myself making some ground.

The houses sold under the banner of Capricorn 151 are modest. They are well designed, they are affordable and they seem to have captured the spirit of Australia. We are now selling them at the rate of around two a week—which is admittedly a small dent in a huge market. But if I could convince a further 100 of you architects to each build and move 100 dwellings a year, consider the level to which we might elevate the humble house throughout our society.

And consider the possibility that we might just touch the consciousness of a nation.

 

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Reproduction without permission is prohibited.
Last modified: 30-Jan-98.
 

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Published online: 1 Nov 1998

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Architecture Australia, November 1998

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