Architecture Australia, May 2012
Architecture AustraliaProvocative, informative and engaging discussion of the best built works and the issues and events that matter.
Provocative, informative and engaging discussion of the best built works and the issues and events that matter.
Brian Zulaikha’s foreword to the May 2012 issue of Architecture Australia.
Timothy Moore’s introduction to the May 2012 issue of Architecture Australia.
A selection of up-and-coming and unbuilt projects from Australian architects.
Denton Corker Marshall has been selected to design a permanent Australia Pavilion in Venice’s Giardini della Biennale.
A Sydney workshop held in conjunction with London’s Architectural Association explores inflatable buildings.
Provocative thoughts and comment about women architects, from 1975 to today.
Malcolm Middleton Architects and AECOM add a human dimension to civic infrastructure.
A new centre by Croxon Ramsay in Laurimar, Victoria, is a fulcrum for a new Melbourne housing estate.
Croxon Ramsay’s Laurimar Community Activity Centre is located in one of Melbourne’s fastest-growing municipalities.
The aspirations of a private school on Sydney’s North Shore are articulated by Bligh Voller Nield.
A diverse public project in Perth combines domestic and institutional qualities.
The undulating lines of Affect-T take form inside a Hong Kong high-rise apartment.
A downturn in economic activity offers a moment to take stock and to reassess the future in the face of changing expectations.
The service of architecture for the public good can be a gift without expectation of reward.
Women’s involvement in architecture is not only about social justice, it’s an economic imperative.
Finding a balance between economics and design: how architects can shape market forces.
Anna Tweeddale asks ‘can experimentation be given a higher value in the lexicon of Australian cities?’
As he flees Barcelona for Mexico, architect Mario Ballesteros pens a flurried postcard.
Artists Bianca Hester and Tom Nicholson explored and interrogated chimneys and walls at Federation Square during November 2011.
AWF avoids uninformed knee-jerk responses in its not-for-profit work by ensuring the local community plays a central role.
The austere Queenslander aesthetic can be a template for measuring detail, write Owen and Vokes.